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This week we are photographing and reviewing the Tatuaje ‘Celebracion de Cinco.’ This exclusive and limited edition is a collaboration between Pete Johnson of Tatuaje and Cigar Mas Fino – a cigar shop located in Fresno, California operated by the Soza Family. This 2011 project was released to commemorate Cigar Mas Fino’s five years in business, hence ‘Celebracion de Cinco’ or ‘Celebration of Five.’ This robusto vitola came in a box of 24 / only 100 boxes produced. When asked about the makeup, Pete responded with the following:
A slightly stronger noble. Same base blend with a brown label priming for the wrapper. – Pete Johnson
Visually, another well executed blend by My Father Cigars stable. Dark, oily, toothy wrapper with well applied triple cap and unfinished foot. The cigar had no visible veins and extremely tight seams. Great start ! Tatuaje ‘Celebracion de Cinco’ was sporting a standard Havana VI band as well as a secondary band signifying Cigar Mas Fino’s ‘Celebracion de Cinco’ designation. That specific band reminded me of Cuban Regional Edition presentation. I have smoked a total of five samples for this review. I wasn’t trying to match the ‘Cinco’, it was purely a coincidence. Interestingly enough, I was able to experience different / unique flavors in one of those samples. Most delivered good amount of earthiness, espresso, dried fruit (like raisin), and some pepper on the finish. One of the samples lacked most of those flavors and was overpowered with woodiness. All Tatuaje ‘Celebracion de Cinco’ samples delivered good amount of smoke and decent ash. As for as draw / burn goes, unfortunately mixed feedback in this department. Few samples were spot on, yet other experienced the infamous tunneling which subsequently impacted existing flavors.
If it wasn’t for good performance in selected samples, I would have marked this release (or perhaps my box) as questionable. I will continue to sample the rest of the box and continue to evaluate the construction. Overall, despite couple hiccups, another good release by Pete Johnson.
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